Dirty Hands / The Just at the Theater Regensburg: A double evening full of tension
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A double evening about morality, power, and the fragile hope of revolution
When Jean-Paul Sartre meets Albert Camus, a light theater evening does not emerge, but rather a mental force field. Dirty Hands / The Just at the Regensburg Theater takes you right into the major conflicts of the 20th century: idealism against pragmatism, humanity against political resolve, conviction against violence. The Regensburg premiere presents the double evening on July 12, 2026 at the Theater im Antoniushaus as a four-hour stage experience with two breaks and an introduction.
Between debate and abyss
Sartre's Dirty Hands and Camus’ The Just belong to those dramas that not only capture but also test the audience's breath. The evening questions the limits of political action, guilt, compromise, and the dangerous seduction of the seemingly right. The Regensburg Theater relies on a double evening that explores the dialectical tension of both texts and palpably reveals the existentialist core. The play discusses the question of when conviction turns into extremism and whether victims in the name of an idea can ever be justified. ([staatstheater-regensburg.de](https://www.staatstheater-regensburg.de/produktionen/die-schmutzigen-haende-die-gerechten.html))
Direction, dramaturgy, and the art of intensification
The production by Antje Thoms, which has been described in press reviews as dynamic, precise, and consistently highly concentrated, transforms the rather dry dramatic texts into a political thriller with sharpness and pull. Nachtkritik praised the daring double strategy and the constant tension, Bayern 2 emphasized the cleverly argued positions and the pace of the evening, while the Mittelbayerische Zeitung highlighted sound design, lighting, and the concentrated ensemble performance. Thus, a classic debate of ideas becomes a lively evening of acting art. ([staatstheater-regensburg.de](https://www.staatstheater-regensburg.de/produktionen/die-schmutzigen-haende-die-gerechten.html))
Atmosphere in the Antoniushaus
The Theater im Antoniushaus offers the right resonance space for this material: a space for closeness, friction, and immediate theater atmosphere. The house has barrier-free access, wheelchair seats, a free cloakroom service, and an inductive hearing system. According to the theater, arriving by public transport is very feasible; the Antoniushaus is located in the barracks district on the edge of the city center. For visitors, this means concentrated attention rather than distance, a close view of the stage, language, and physical presence. ([staatstheater-regensburg.de](https://www.staatstheater-regensburg.de/index/besuch.html))
Audience reaction and artistic ambition
The audience feedback on the play's page is already clear: The tension, the playing style, and the craftsmanship hit a nerve. This is exactly the strength of this evening: It does not seek to be pleasing but to force thinking, contradiction, and empathy. Those who appreciate political theater, demanding dramaturgy, and great ensemble work will experience an evening that resonates long after. ([staatstheater-regensburg.de](https://www.staatstheater-regensburg.de/produktionen/die-schmutzigen-haende-die-gerechten.html))
Conclusion: Dirty Hands / The Just promises an intense theater evening full of moral heights, dense language, and strong characters. Those who want to experience existentialist theater in all its might should see this date in Regensburg live. ([staatstheater-regensburg.de](https://www.staatstheater-regensburg.de/produktionen/die-schmutzigen-haende-die-gerechten.html))
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- Website: https://www.theaterregensburg.de
