Regensburg
Obermünsterpl. 3, 93047 Regensburg, Deutschland
Christina Kirchinger | Regensburg & Uni Regensburg
Christina Kirchinger is an artist living and working in Regensburg, whose name is immediately associated with the University of Regensburg, printmaking, and a private studio in the old town in many search queries. Born in 1987 in Straubing, she studied at the University of Regensburg, earned her doctorate there, and taught and researched for many years. The current Regensburg location at Obermünsterplatz 3 appears in the project CHEZ CHRISTINA as a studio and exhibition space, making the place particularly exciting for art enthusiasts because here production, presentation, and exchange are closely intertwined. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Christina Kirchinger and the University of Regensburg
Her academic journey begins at the University of Regensburg: she completed her B.A. and M.A. in Fine Arts and Aesthetic Education there, was a research assistant at the Institute for Fine Arts and Aesthetic Education from 2014 to 2020, and has been working as a lecturer for drawing, intaglio printmaking, and artist's book since 2020. Additionally, she taught at the University of Regensburg from 2020 to 2022 in the field of Professional Practice and from 2022 to 2025 at the University of Eichstätt in printmaking. This mix of artistic practice and university teaching explains why search queries around Uni Regensburg resonate so strongly with her name. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
In 2025, she completed her doctorate at the University of Regensburg; her work was published by transcript in 2026. Even before that, she had received recognition in Regensburg, such as the Cultural Promotion Award from the City of Regensburg in 2016 and the art award13 in 2013. For the local art scene, she is not only an artist from Regensburg but a position that has visibly grown there and whose development can be traced over the years. Her inclusion in several collections also shows that her work is perceived not sporadically but sustainably. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Those searching for Christina Kirchinger and Uni Regensburg often seek a quick classification: Is she a student, lecturer, researcher, or artist there? The clear answer is: all together, but in different phases. This is precisely why her profile is so relevant for search engines. The university is not only a biographical chapter but a recurring resonance space where education, teaching, work thinking, and public visibility intertwine. This creates a search image that goes far beyond a mere name entry and also provides orientation for art-interested visitors in Regensburg. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
CHEZ CHRISTINA at Obermünsterplatz 3
CHEZ CHRISTINA is not a classical concert hall or a large event venue, but a very personal exhibition space: the studio of Christina Kirchinger at Obermünsterplatz 3 in the old town of Regensburg. The BBK Bayern describes the space as a private place that will become an exhibition area for the first three weekends in June 2026. There, Nina Aeberhard, Marile Holzner, and Janine Gerber will show their works in short solo exhibitions; there will be an artist talk at the opening, and the opening hours are intentionally kept compact. For those searching for Atelier Christina Kirchinger, Chez Christina, or the exact address, this is the most important current orientation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
The format is interesting because it changes the perspective on the role of the studio: the space remains private but becomes publicly readable for a defined period. This is precisely its appeal for the old town of Regensburg. Visitors do not experience an anonymous institution but a place where artistic work, personal handwriting, and curated guest positions come together. That Christina Kirchinger herself appears as the author of the project further emphasizes how closely her name is associated with the place. For many users, this is an ideal search hit because it covers several levels: person, address, studio, exhibition, and exchange. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Content-wise, CHEZ CHRISTINA fits Kirchinger's profile. Her work has been revolving around spaces, thresholds, and perception for years, precisely the question of how a place changes when it is read as an artistic space. A private studio that becomes an exhibition space for a few weeks is a credible and poetic framework for this. It is not about the size of the place but about its density: about proximity, concentration, and the possibility of seeing works in an immediate environment. Especially in Regensburg, where the old town, art, and university are often closely linked, this format takes on a special character. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Printmaking, Etching, and Artist's Book
Those searching for Christina Kirchinger quickly encounter printmaking, etching, aquatint, and related techniques. On her own website, she explains that her works may appear as drawings at first glance, but upon closer inspection, they are intaglio prints. This primarily refers to etching, drypoint, and aquatint. What is crucial is not only the motif but the process: lines or areas are worked into the copper plate, which later holds the color and is transferred to the paper. This creates differentiated tonal values, a special tactility, and a visual language that differs from purely drawn works. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Since 2016, she has had her own fully equipped print studio in the Künstlerhaus Andreasstadel in Regensburg. There, she prepares her plates herself and prints in small editions. This is central for SEO search terms like printmaking Regensburg or etching Regensburg because it explains the artisanal side of her work: Kirchinger is not only an image author but works with a precise, physically tangible medium that closely links time, technique, and material. This connection between artistic concept and manual production makes her position in the Regensburg context unmistakable. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
In addition to artistic quality, the consistency of implementation is important. Intaglio printmaking requires many preparatory steps, precise material knowledge, and a conscious relationship to repetition and variation. Since the plates are worked on by her and printed in small editions, each work remains close to the individual decision. This makes her body of work equally interesting for collectors, institutions, and art-interested visitors: one does not only see a finished image but the result of a long material engagement. In search queries around studio, art in Regensburg, and printmaking, this connection between place, technique, and authorship becomes relevant again and again. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Space, Threshold, and the Visible in the Work
Content-wise, her works initially revolve around built spaces, thresholds, spatial depth, and the question of what is visible and what only seems to be. In her vita, she describes how fascinated she was by man-made places and their structures: by the way space goes into depth, how it opens, narrows, or suddenly cuts through the surface. This observation is fundamental to her work because it shifts the focus from mere representation to perception itself. Space does not appear as a neutral environment but as something that shapes and reflects our reality. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Later, the focus shifted to the body, particularly lips, intimacy, vulnerability, and the relationship between concealing and revealing. Kirchinger speaks of bodily spaces as seismographs of sensations and thus further extends the spatial question into a physical dimension. The transition from architecture to body is not a break but an expansion: the same sensitivity to thresholds, openings, and dividing lines now manifests in a more intimate visual field. As a result, terms like proximity, mystery, presence, and absence gain an additional depth that situates her works in conversation with current societal and phenomenological questions. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
The overview of her works on her website clearly shows this development: Bond/Trace is conceived as an ongoing project, Encounter 2024/25 connects artist's book and works on paper, Thresholds 2021–23 focuses on intaglio prints, Images of the Mind 2022 consists of a 60-part drawing series, and Raumstücke 2018–20 impressively continues the engagement with built space. Particularly striking is that the titles are not merely decorative but function as terms for transition, connection, perception, and inner movement. Those searching for the artistic profile of Christina Kirchinger will find here a remarkably consistent line between motif, technique, and conceptual background. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
Exhibitions, Residencies, and Artistic Presence
Christina Kirchinger is also visible outside of Regensburg. Her vita lists solo exhibitions and duo projects, among others, at the Städtische Galerie Regensburg, at GEDOK Munich, in the Kunstverein Ebersberg, and at Matjö in Cologne. In addition, there are numerous group participations in Germany, France, Austria, the Czech Republic, Romania, Indonesia, and the USA. For the classification as a contemporary printmaker, this is important because her works are not only regionally anchored but also internationally connected. The Regensburg reference remains stable but opens up towards a significantly larger network. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Additionally, there are residencies and awards: in 2022 and 2024, she was at the Virginia Center for the Creative Arts, and in 2025 at Chalet Lecoq in Clermont-Ferrand. Memberships in GEDOK Munich, BBK Niederbayern/Oberpfalz, Le Chant de l’Encre, and the Verein für Original-Radierung München show the networking in artistic professional contexts. There are also public and private collections such as the museums of the City of Regensburg, the University of Regensburg, the art collection of the Sparkasse Regensburg, the district of Oberpfalz, and other institutions. All of this strengthens the relevance of search terms around Regensburg, Uni Regensburg, and her name, as she is not only a local person but a firmly established art position. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
For online perception, it is also important that her artistic presence cannot be reduced to a single format. There is the website with works and texts, the university involvement, the private studio, current exhibition formats, and a number of international stations. This diversity explains why users searching for Christina Kirchinger often use different additional words: some search for the university, others for the studio, and still others for the word printmaking or a variant spelling of the name. For exactly this mix, a structured, easily readable location text is particularly helpful. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Frequently Asked Questions about Christina Kirchinger in Regensburg
Where is Christina Kirchinger located in Regensburg? In the current project CHEZ CHRISTINA, the studio at Obermünsterplatz 3, 93047 Regensburg, is mentioned as the location. Additionally, Christina Kirchinger has been working with her own print studio in the Künstlerhaus Andreasstadel since 2016. Therefore, those searching for her name will either land at her artistic base or at the private exhibition space in the old town, depending on their search intent. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What is CHEZ CHRISTINA? CHEZ CHRISTINA is an exhibition series in the private studio of Christina Kirchinger. In June 2026, the space will showcase works by Nina Aeberhard, Marile Holzner, and Janine Gerber over three weekends; there will be an artist talk at the opening, and the opening hours are intentionally concentrated on Friday evenings and Saturday afternoons. It is thus more of a curated, personal art format than a classic permanent operation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What does Christina Kirchinger work with artistically? The focus is on intaglio printmaking, etching, drypoint, aquatint, drawing, and artist's book. Kirchinger describes that she prepares plates herself and prints small editions. The result is works with clear materiality, fine tonal values, and often spatially or physically charged themes. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
What connection does Christina Kirchinger have to the University of Regensburg? She studied there, later earned her doctorate, and taught for many years. Since 2020, she has been working as a lecturer for drawing, intaglio printmaking, and artist's book; previously, she worked there from 2014 to 2020 as a research assistant. For those searching for Christina Kirchinger Uni Regensburg, this is the most important background. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Which series of works should one know? Particularly important are Raumstücke 2018–20, Thresholds 2021–23, Images of the Mind 2022, Encounter 2024/25, and Bond/Trace as the current project. These series show very well how Kirchinger progresses from architectural spaces to bodily, psychological, and intimate questions. Those searching for her name quickly understand through these work groups why she is perceived in Regensburg and beyond. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
From an SEO perspective, Christina Kirchinger is an interesting search case because the most common queries consist not only of a name but also of variants, misspellings, and additional terms related to Regensburg, university, studio, and printmaking. This is exactly why a clean content classification is worthwhile: the name stands for an artist with academic depth, artisanal precision, and a clear Regensburg reference, whose current expression in CHEZ CHRISTINA becomes particularly visible. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Sources:
- BBK Bayern – Chez Christina ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
- Christina Kirchinger – Vita ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
- Christina Kirchinger – About ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
- Christina Kirchinger – Works ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
- University of Regensburg – Exhibition opening with award ceremony at UR ([uni-regensburg.de](https://www.uni-regensburg.de/universitaet/aktuelles/nachrichten/nachricht/03-11-2025_ausstellungseroeffnung-mit-preisverleihung-an-der-ur?utm_source=openai))
- City of Regensburg – Exhibition: Christina Kirchinger ([regensburg.de](https://www.regensburg.de/veranstaltungen/detail/588368?utm_source=openai))
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Christina Kirchinger | Regensburg & Uni Regensburg
Christina Kirchinger is an artist living and working in Regensburg, whose name is immediately associated with the University of Regensburg, printmaking, and a private studio in the old town in many search queries. Born in 1987 in Straubing, she studied at the University of Regensburg, earned her doctorate there, and taught and researched for many years. The current Regensburg location at Obermünsterplatz 3 appears in the project CHEZ CHRISTINA as a studio and exhibition space, making the place particularly exciting for art enthusiasts because here production, presentation, and exchange are closely intertwined. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Christina Kirchinger and the University of Regensburg
Her academic journey begins at the University of Regensburg: she completed her B.A. and M.A. in Fine Arts and Aesthetic Education there, was a research assistant at the Institute for Fine Arts and Aesthetic Education from 2014 to 2020, and has been working as a lecturer for drawing, intaglio printmaking, and artist's book since 2020. Additionally, she taught at the University of Regensburg from 2020 to 2022 in the field of Professional Practice and from 2022 to 2025 at the University of Eichstätt in printmaking. This mix of artistic practice and university teaching explains why search queries around Uni Regensburg resonate so strongly with her name. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
In 2025, she completed her doctorate at the University of Regensburg; her work was published by transcript in 2026. Even before that, she had received recognition in Regensburg, such as the Cultural Promotion Award from the City of Regensburg in 2016 and the art award13 in 2013. For the local art scene, she is not only an artist from Regensburg but a position that has visibly grown there and whose development can be traced over the years. Her inclusion in several collections also shows that her work is perceived not sporadically but sustainably. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Those searching for Christina Kirchinger and Uni Regensburg often seek a quick classification: Is she a student, lecturer, researcher, or artist there? The clear answer is: all together, but in different phases. This is precisely why her profile is so relevant for search engines. The university is not only a biographical chapter but a recurring resonance space where education, teaching, work thinking, and public visibility intertwine. This creates a search image that goes far beyond a mere name entry and also provides orientation for art-interested visitors in Regensburg. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
CHEZ CHRISTINA at Obermünsterplatz 3
CHEZ CHRISTINA is not a classical concert hall or a large event venue, but a very personal exhibition space: the studio of Christina Kirchinger at Obermünsterplatz 3 in the old town of Regensburg. The BBK Bayern describes the space as a private place that will become an exhibition area for the first three weekends in June 2026. There, Nina Aeberhard, Marile Holzner, and Janine Gerber will show their works in short solo exhibitions; there will be an artist talk at the opening, and the opening hours are intentionally kept compact. For those searching for Atelier Christina Kirchinger, Chez Christina, or the exact address, this is the most important current orientation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
The format is interesting because it changes the perspective on the role of the studio: the space remains private but becomes publicly readable for a defined period. This is precisely its appeal for the old town of Regensburg. Visitors do not experience an anonymous institution but a place where artistic work, personal handwriting, and curated guest positions come together. That Christina Kirchinger herself appears as the author of the project further emphasizes how closely her name is associated with the place. For many users, this is an ideal search hit because it covers several levels: person, address, studio, exhibition, and exchange. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Content-wise, CHEZ CHRISTINA fits Kirchinger's profile. Her work has been revolving around spaces, thresholds, and perception for years, precisely the question of how a place changes when it is read as an artistic space. A private studio that becomes an exhibition space for a few weeks is a credible and poetic framework for this. It is not about the size of the place but about its density: about proximity, concentration, and the possibility of seeing works in an immediate environment. Especially in Regensburg, where the old town, art, and university are often closely linked, this format takes on a special character. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Printmaking, Etching, and Artist's Book
Those searching for Christina Kirchinger quickly encounter printmaking, etching, aquatint, and related techniques. On her own website, she explains that her works may appear as drawings at first glance, but upon closer inspection, they are intaglio prints. This primarily refers to etching, drypoint, and aquatint. What is crucial is not only the motif but the process: lines or areas are worked into the copper plate, which later holds the color and is transferred to the paper. This creates differentiated tonal values, a special tactility, and a visual language that differs from purely drawn works. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Since 2016, she has had her own fully equipped print studio in the Künstlerhaus Andreasstadel in Regensburg. There, she prepares her plates herself and prints in small editions. This is central for SEO search terms like printmaking Regensburg or etching Regensburg because it explains the artisanal side of her work: Kirchinger is not only an image author but works with a precise, physically tangible medium that closely links time, technique, and material. This connection between artistic concept and manual production makes her position in the Regensburg context unmistakable. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
In addition to artistic quality, the consistency of implementation is important. Intaglio printmaking requires many preparatory steps, precise material knowledge, and a conscious relationship to repetition and variation. Since the plates are worked on by her and printed in small editions, each work remains close to the individual decision. This makes her body of work equally interesting for collectors, institutions, and art-interested visitors: one does not only see a finished image but the result of a long material engagement. In search queries around studio, art in Regensburg, and printmaking, this connection between place, technique, and authorship becomes relevant again and again. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Space, Threshold, and the Visible in the Work
Content-wise, her works initially revolve around built spaces, thresholds, spatial depth, and the question of what is visible and what only seems to be. In her vita, she describes how fascinated she was by man-made places and their structures: by the way space goes into depth, how it opens, narrows, or suddenly cuts through the surface. This observation is fundamental to her work because it shifts the focus from mere representation to perception itself. Space does not appear as a neutral environment but as something that shapes and reflects our reality. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Later, the focus shifted to the body, particularly lips, intimacy, vulnerability, and the relationship between concealing and revealing. Kirchinger speaks of bodily spaces as seismographs of sensations and thus further extends the spatial question into a physical dimension. The transition from architecture to body is not a break but an expansion: the same sensitivity to thresholds, openings, and dividing lines now manifests in a more intimate visual field. As a result, terms like proximity, mystery, presence, and absence gain an additional depth that situates her works in conversation with current societal and phenomenological questions. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
The overview of her works on her website clearly shows this development: Bond/Trace is conceived as an ongoing project, Encounter 2024/25 connects artist's book and works on paper, Thresholds 2021–23 focuses on intaglio prints, Images of the Mind 2022 consists of a 60-part drawing series, and Raumstücke 2018–20 impressively continues the engagement with built space. Particularly striking is that the titles are not merely decorative but function as terms for transition, connection, perception, and inner movement. Those searching for the artistic profile of Christina Kirchinger will find here a remarkably consistent line between motif, technique, and conceptual background. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
Exhibitions, Residencies, and Artistic Presence
Christina Kirchinger is also visible outside of Regensburg. Her vita lists solo exhibitions and duo projects, among others, at the Städtische Galerie Regensburg, at GEDOK Munich, in the Kunstverein Ebersberg, and at Matjö in Cologne. In addition, there are numerous group participations in Germany, France, Austria, the Czech Republic, Romania, Indonesia, and the USA. For the classification as a contemporary printmaker, this is important because her works are not only regionally anchored but also internationally connected. The Regensburg reference remains stable but opens up towards a significantly larger network. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Additionally, there are residencies and awards: in 2022 and 2024, she was at the Virginia Center for the Creative Arts, and in 2025 at Chalet Lecoq in Clermont-Ferrand. Memberships in GEDOK Munich, BBK Niederbayern/Oberpfalz, Le Chant de l’Encre, and the Verein für Original-Radierung München show the networking in artistic professional contexts. There are also public and private collections such as the museums of the City of Regensburg, the University of Regensburg, the art collection of the Sparkasse Regensburg, the district of Oberpfalz, and other institutions. All of this strengthens the relevance of search terms around Regensburg, Uni Regensburg, and her name, as she is not only a local person but a firmly established art position. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
For online perception, it is also important that her artistic presence cannot be reduced to a single format. There is the website with works and texts, the university involvement, the private studio, current exhibition formats, and a number of international stations. This diversity explains why users searching for Christina Kirchinger often use different additional words: some search for the university, others for the studio, and still others for the word printmaking or a variant spelling of the name. For exactly this mix, a structured, easily readable location text is particularly helpful. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Frequently Asked Questions about Christina Kirchinger in Regensburg
Where is Christina Kirchinger located in Regensburg? In the current project CHEZ CHRISTINA, the studio at Obermünsterplatz 3, 93047 Regensburg, is mentioned as the location. Additionally, Christina Kirchinger has been working with her own print studio in the Künstlerhaus Andreasstadel since 2016. Therefore, those searching for her name will either land at her artistic base or at the private exhibition space in the old town, depending on their search intent. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What is CHEZ CHRISTINA? CHEZ CHRISTINA is an exhibition series in the private studio of Christina Kirchinger. In June 2026, the space will showcase works by Nina Aeberhard, Marile Holzner, and Janine Gerber over three weekends; there will be an artist talk at the opening, and the opening hours are intentionally concentrated on Friday evenings and Saturday afternoons. It is thus more of a curated, personal art format than a classic permanent operation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What does Christina Kirchinger work with artistically? The focus is on intaglio printmaking, etching, drypoint, aquatint, drawing, and artist's book. Kirchinger describes that she prepares plates herself and prints small editions. The result is works with clear materiality, fine tonal values, and often spatially or physically charged themes. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
What connection does Christina Kirchinger have to the University of Regensburg? She studied there, later earned her doctorate, and taught for many years. Since 2020, she has been working as a lecturer for drawing, intaglio printmaking, and artist's book; previously, she worked there from 2014 to 2020 as a research assistant. For those searching for Christina Kirchinger Uni Regensburg, this is the most important background. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Which series of works should one know? Particularly important are Raumstücke 2018–20, Thresholds 2021–23, Images of the Mind 2022, Encounter 2024/25, and Bond/Trace as the current project. These series show very well how Kirchinger progresses from architectural spaces to bodily, psychological, and intimate questions. Those searching for her name quickly understand through these work groups why she is perceived in Regensburg and beyond. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
From an SEO perspective, Christina Kirchinger is an interesting search case because the most common queries consist not only of a name but also of variants, misspellings, and additional terms related to Regensburg, university, studio, and printmaking. This is exactly why a clean content classification is worthwhile: the name stands for an artist with academic depth, artisanal precision, and a clear Regensburg reference, whose current expression in CHEZ CHRISTINA becomes particularly visible. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Sources:
- BBK Bayern – Chez Christina ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
- Christina Kirchinger – Vita ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
- Christina Kirchinger – About ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
- Christina Kirchinger – Works ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
- University of Regensburg – Exhibition opening with award ceremony at UR ([uni-regensburg.de](https://www.uni-regensburg.de/universitaet/aktuelles/nachrichten/nachricht/03-11-2025_ausstellungseroeffnung-mit-preisverleihung-an-der-ur?utm_source=openai))
- City of Regensburg – Exhibition: Christina Kirchinger ([regensburg.de](https://www.regensburg.de/veranstaltungen/detail/588368?utm_source=openai))
Christina Kirchinger | Regensburg & Uni Regensburg
Christina Kirchinger is an artist living and working in Regensburg, whose name is immediately associated with the University of Regensburg, printmaking, and a private studio in the old town in many search queries. Born in 1987 in Straubing, she studied at the University of Regensburg, earned her doctorate there, and taught and researched for many years. The current Regensburg location at Obermünsterplatz 3 appears in the project CHEZ CHRISTINA as a studio and exhibition space, making the place particularly exciting for art enthusiasts because here production, presentation, and exchange are closely intertwined. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Christina Kirchinger and the University of Regensburg
Her academic journey begins at the University of Regensburg: she completed her B.A. and M.A. in Fine Arts and Aesthetic Education there, was a research assistant at the Institute for Fine Arts and Aesthetic Education from 2014 to 2020, and has been working as a lecturer for drawing, intaglio printmaking, and artist's book since 2020. Additionally, she taught at the University of Regensburg from 2020 to 2022 in the field of Professional Practice and from 2022 to 2025 at the University of Eichstätt in printmaking. This mix of artistic practice and university teaching explains why search queries around Uni Regensburg resonate so strongly with her name. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
In 2025, she completed her doctorate at the University of Regensburg; her work was published by transcript in 2026. Even before that, she had received recognition in Regensburg, such as the Cultural Promotion Award from the City of Regensburg in 2016 and the art award13 in 2013. For the local art scene, she is not only an artist from Regensburg but a position that has visibly grown there and whose development can be traced over the years. Her inclusion in several collections also shows that her work is perceived not sporadically but sustainably. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Those searching for Christina Kirchinger and Uni Regensburg often seek a quick classification: Is she a student, lecturer, researcher, or artist there? The clear answer is: all together, but in different phases. This is precisely why her profile is so relevant for search engines. The university is not only a biographical chapter but a recurring resonance space where education, teaching, work thinking, and public visibility intertwine. This creates a search image that goes far beyond a mere name entry and also provides orientation for art-interested visitors in Regensburg. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
CHEZ CHRISTINA at Obermünsterplatz 3
CHEZ CHRISTINA is not a classical concert hall or a large event venue, but a very personal exhibition space: the studio of Christina Kirchinger at Obermünsterplatz 3 in the old town of Regensburg. The BBK Bayern describes the space as a private place that will become an exhibition area for the first three weekends in June 2026. There, Nina Aeberhard, Marile Holzner, and Janine Gerber will show their works in short solo exhibitions; there will be an artist talk at the opening, and the opening hours are intentionally kept compact. For those searching for Atelier Christina Kirchinger, Chez Christina, or the exact address, this is the most important current orientation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
The format is interesting because it changes the perspective on the role of the studio: the space remains private but becomes publicly readable for a defined period. This is precisely its appeal for the old town of Regensburg. Visitors do not experience an anonymous institution but a place where artistic work, personal handwriting, and curated guest positions come together. That Christina Kirchinger herself appears as the author of the project further emphasizes how closely her name is associated with the place. For many users, this is an ideal search hit because it covers several levels: person, address, studio, exhibition, and exchange. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Content-wise, CHEZ CHRISTINA fits Kirchinger's profile. Her work has been revolving around spaces, thresholds, and perception for years, precisely the question of how a place changes when it is read as an artistic space. A private studio that becomes an exhibition space for a few weeks is a credible and poetic framework for this. It is not about the size of the place but about its density: about proximity, concentration, and the possibility of seeing works in an immediate environment. Especially in Regensburg, where the old town, art, and university are often closely linked, this format takes on a special character. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Printmaking, Etching, and Artist's Book
Those searching for Christina Kirchinger quickly encounter printmaking, etching, aquatint, and related techniques. On her own website, she explains that her works may appear as drawings at first glance, but upon closer inspection, they are intaglio prints. This primarily refers to etching, drypoint, and aquatint. What is crucial is not only the motif but the process: lines or areas are worked into the copper plate, which later holds the color and is transferred to the paper. This creates differentiated tonal values, a special tactility, and a visual language that differs from purely drawn works. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Since 2016, she has had her own fully equipped print studio in the Künstlerhaus Andreasstadel in Regensburg. There, she prepares her plates herself and prints in small editions. This is central for SEO search terms like printmaking Regensburg or etching Regensburg because it explains the artisanal side of her work: Kirchinger is not only an image author but works with a precise, physically tangible medium that closely links time, technique, and material. This connection between artistic concept and manual production makes her position in the Regensburg context unmistakable. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
In addition to artistic quality, the consistency of implementation is important. Intaglio printmaking requires many preparatory steps, precise material knowledge, and a conscious relationship to repetition and variation. Since the plates are worked on by her and printed in small editions, each work remains close to the individual decision. This makes her body of work equally interesting for collectors, institutions, and art-interested visitors: one does not only see a finished image but the result of a long material engagement. In search queries around studio, art in Regensburg, and printmaking, this connection between place, technique, and authorship becomes relevant again and again. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Space, Threshold, and the Visible in the Work
Content-wise, her works initially revolve around built spaces, thresholds, spatial depth, and the question of what is visible and what only seems to be. In her vita, she describes how fascinated she was by man-made places and their structures: by the way space goes into depth, how it opens, narrows, or suddenly cuts through the surface. This observation is fundamental to her work because it shifts the focus from mere representation to perception itself. Space does not appear as a neutral environment but as something that shapes and reflects our reality. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Later, the focus shifted to the body, particularly lips, intimacy, vulnerability, and the relationship between concealing and revealing. Kirchinger speaks of bodily spaces as seismographs of sensations and thus further extends the spatial question into a physical dimension. The transition from architecture to body is not a break but an expansion: the same sensitivity to thresholds, openings, and dividing lines now manifests in a more intimate visual field. As a result, terms like proximity, mystery, presence, and absence gain an additional depth that situates her works in conversation with current societal and phenomenological questions. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
The overview of her works on her website clearly shows this development: Bond/Trace is conceived as an ongoing project, Encounter 2024/25 connects artist's book and works on paper, Thresholds 2021–23 focuses on intaglio prints, Images of the Mind 2022 consists of a 60-part drawing series, and Raumstücke 2018–20 impressively continues the engagement with built space. Particularly striking is that the titles are not merely decorative but function as terms for transition, connection, perception, and inner movement. Those searching for the artistic profile of Christina Kirchinger will find here a remarkably consistent line between motif, technique, and conceptual background. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
Exhibitions, Residencies, and Artistic Presence
Christina Kirchinger is also visible outside of Regensburg. Her vita lists solo exhibitions and duo projects, among others, at the Städtische Galerie Regensburg, at GEDOK Munich, in the Kunstverein Ebersberg, and at Matjö in Cologne. In addition, there are numerous group participations in Germany, France, Austria, the Czech Republic, Romania, Indonesia, and the USA. For the classification as a contemporary printmaker, this is important because her works are not only regionally anchored but also internationally connected. The Regensburg reference remains stable but opens up towards a significantly larger network. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Additionally, there are residencies and awards: in 2022 and 2024, she was at the Virginia Center for the Creative Arts, and in 2025 at Chalet Lecoq in Clermont-Ferrand. Memberships in GEDOK Munich, BBK Niederbayern/Oberpfalz, Le Chant de l’Encre, and the Verein für Original-Radierung München show the networking in artistic professional contexts. There are also public and private collections such as the museums of the City of Regensburg, the University of Regensburg, the art collection of the Sparkasse Regensburg, the district of Oberpfalz, and other institutions. All of this strengthens the relevance of search terms around Regensburg, Uni Regensburg, and her name, as she is not only a local person but a firmly established art position. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
For online perception, it is also important that her artistic presence cannot be reduced to a single format. There is the website with works and texts, the university involvement, the private studio, current exhibition formats, and a number of international stations. This diversity explains why users searching for Christina Kirchinger often use different additional words: some search for the university, others for the studio, and still others for the word printmaking or a variant spelling of the name. For exactly this mix, a structured, easily readable location text is particularly helpful. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
Frequently Asked Questions about Christina Kirchinger in Regensburg
Where is Christina Kirchinger located in Regensburg? In the current project CHEZ CHRISTINA, the studio at Obermünsterplatz 3, 93047 Regensburg, is mentioned as the location. Additionally, Christina Kirchinger has been working with her own print studio in the Künstlerhaus Andreasstadel since 2016. Therefore, those searching for her name will either land at her artistic base or at the private exhibition space in the old town, depending on their search intent. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What is CHEZ CHRISTINA? CHEZ CHRISTINA is an exhibition series in the private studio of Christina Kirchinger. In June 2026, the space will showcase works by Nina Aeberhard, Marile Holzner, and Janine Gerber over three weekends; there will be an artist talk at the opening, and the opening hours are intentionally concentrated on Friday evenings and Saturday afternoons. It is thus more of a curated, personal art format than a classic permanent operation. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
What does Christina Kirchinger work with artistically? The focus is on intaglio printmaking, etching, drypoint, aquatint, drawing, and artist's book. Kirchinger describes that she prepares plates herself and prints small editions. The result is works with clear materiality, fine tonal values, and often spatially or physically charged themes. ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
What connection does Christina Kirchinger have to the University of Regensburg? She studied there, later earned her doctorate, and taught for many years. Since 2020, she has been working as a lecturer for drawing, intaglio printmaking, and artist's book; previously, she worked there from 2014 to 2020 as a research assistant. For those searching for Christina Kirchinger Uni Regensburg, this is the most important background. ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
Which series of works should one know? Particularly important are Raumstücke 2018–20, Thresholds 2021–23, Images of the Mind 2022, Encounter 2024/25, and Bond/Trace as the current project. These series show very well how Kirchinger progresses from architectural spaces to bodily, psychological, and intimate questions. Those searching for her name quickly understand through these work groups why she is perceived in Regensburg and beyond. ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
From an SEO perspective, Christina Kirchinger is an interesting search case because the most common queries consist not only of a name but also of variants, misspellings, and additional terms related to Regensburg, university, studio, and printmaking. This is exactly why a clean content classification is worthwhile: the name stands for an artist with academic depth, artisanal precision, and a clear Regensburg reference, whose current expression in CHEZ CHRISTINA becomes particularly visible. ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
Sources:
- BBK Bayern – Chez Christina ([bbk-bayern.de](https://www.bbk-bayern.de/aktuelles/chez-christina))
- Christina Kirchinger – Vita ([christinakirchinger.com](https://www.christinakirchinger.com/vita/))
- Christina Kirchinger – About ([christinakirchinger.com](https://www.christinakirchinger.com/about/))
- Christina Kirchinger – Works ([christinakirchinger.com](https://www.christinakirchinger.com/?utm_source=openai))
- University of Regensburg – Exhibition opening with award ceremony at UR ([uni-regensburg.de](https://www.uni-regensburg.de/universitaet/aktuelles/nachrichten/nachricht/03-11-2025_ausstellungseroeffnung-mit-preisverleihung-an-der-ur?utm_source=openai))
- City of Regensburg – Exhibition: Christina Kirchinger ([regensburg.de](https://www.regensburg.de/veranstaltungen/detail/588368?utm_source=openai))
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