Regensburg
Kumpfmühler Str. 39, 93051 Regensburg, Deutschland
St. Theresia Regensburg | Events & Directions
St. Theresia in Regensburg is today much more than a historic church building: Under the name "Theresia – Space for Ideas," a cultural center has emerged in Kumpfmühl that combines the special atmosphere of a former monastery church with a contemporary event profile. Covering 340 square meters, the venue accommodates up to 400 people and caters to those seeking exhibitions, concerts, lectures, or other public formats in an unusual setting. The official website explicitly describes Theresia as a place for culture and community, while current reporting confirms the transformation from a house of worship to a vibrant cultural venue. This mix makes the location exciting: it is historically significant, visually striking, and simultaneously flexible in use. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or Theresia Space for Ideas will find a place that does not preserve the past but transforms it into a new usage concept. The result is a space with character, where cultural content not only takes place but is also supported by the building itself. ([theresia-regensburg.de](https://theresia-regensburg.de/))
What events shape Theresia today?
The current profile of Theresia is clearly culturally oriented. The official page lists exhibitions, concerts, lectures, and public events; in addition, there are collaborations with associations, artists, and formats that are deliberately open to the urban community. The event calendar shows that the venue does not limit itself to a single genre but allows for various usage scenarios: music evenings, artistic installations, readings, charity events, and social evenings fit equally into the concept. Thus, Theresia is not a classic multipurpose hall without character but a curated cultural space where the historical architecture enhances the impact of the program points. The official communication repeatedly emphasizes the connection between culture, encounter, and community. This is also important for search intent: Those searching for events Regensburg, concerts Regensburg, or exhibitions Regensburg expect not just dates but a place with recognition value. Theresia delivers exactly that, as the program does not appear anonymous but is embedded in an environment that is emotionally and aesthetically charged. For visitors, this creates an experience that goes beyond the actual event content. Especially in cultural formats, this context is often crucial, as atmosphere, spatial feeling, and audience experience interact. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Particularly noteworthy is that Theresia is understood not only as a stage but as an open meeting place. Current reporting describes the venue as a cultural space that is increasingly establishing itself and whose event calendar is noticeably filling up. Among other things, exhibitions, concerts, readings, and charity events are mentioned, which are precisely the formats that are in high demand in a vibrant city like Regensburg. For organizers, this is attractive because the venue provides a clear content direction without taking away creative freedom. According to the owner, associations and cultural creators can even use the space rent-free, aside from utility costs, which significantly lowers the threshold for new ideas. At the same time, this openness underscores that Theresia is intended as a platform and not just as a neutral rental space. Those planning events here benefit from an already visible brand core: Culture meets history. This is precisely why the venue is suitable for formats with emotional or social claims, such as charity evenings, art exhibitions, or musical series. For keyword logic, this means: Besides the main term St. Theresia Regensburg, cultural center Regensburg, charity events Regensburg, and lectures Regensburg are also meaningful, as they accurately reflect the actual use of the venue. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How large is St. Theresia and what equipment is important?
The most important hard number for marketing is the area: 340 square meters. Additionally, the official capacity is stated to be up to 400 people. This combination immediately clarifies where the strengths of the venue lie: It is large enough for a respectable audience but remains significantly more intimate than a classic exhibition or town hall. This is an advantage, especially for cultural events, as the space creates closeness without conveying tightness. The sides of Theresia describe the building as a historic place with a lot of atmosphere, and this historical quality is a decisive selection criterion for many users. Those seeking an extraordinary location for concerts, lectures, or exhibitions pay attention not only to pure usable space but also to light, spatial effect, and symbolic power. Theresia meets this requirement because it is a former monastery church that is now being reimagined. For SEO, the connection between capacity, cultural space, and historical ambiance is particularly valuable. Search terms like capacity, room size, event location, or cultural space are closely related to the actual profile. The official self-presentation also emphasizes that the range of possible uses is broad. This is important because the venue should not be reduced to a single type of event but rather has its flexibility as a strength. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Furthermore, the structural condition is actively being developed. A recent report states that the tower, roof, and facade have already been renovated, while inside, especially in terms of acoustics and sanitary facilities, there is still a need for development, and these points are currently being planned. For interested parties, this is an honest and important note: The venue is not marketed as a finished, standardized event machine but as a project with perspective that is being improved step by step. This can be particularly exciting for organizers as it opens up design spaces and does not dilute the identity of the venue. The owners describe the concept as an open experiment and consciously keep the space accessible for associations and cultural creators. This mix of historical substance, ongoing enhancement, and open usage concept is rare. Therefore, the description should not only be reduced to capacity but also to the quality of the offer: flexible, cultural, atmospheric, and in transition. Those searching for St. Theresia Regensburg are usually not looking for just any hall but a space with history. This is precisely why the details regarding size, occupancy, and renovation status are so relevant. ([immobilienzentrum.de](https://immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How do I get to St. Theresia Regensburg?
The address is clear and unambiguous: Kumpfmühler Straße 39, 93051 Regensburg. For direct contact, the official page also provides the phone number 0941 60407-0 and the email address info@theresia-regensburg.de. This is helpful for visitors as well as for event inquiries, as it allows for quick clarification of both organizational questions and specific date requests. From an SEO perspective, the exact address is important because many local search queries arise from very practical motives: Where is the venue, what is the address, and how do I get there best? At St. Theresia, the answer is pleasantly uncomplicated, as the location in Kumpfmühl is well integrated into the Regensburg urban area. Kumpfmühl belongs to the district of Kumpfmühl-Ziegetsdorf-Neuprüll, which, according to the city of Regensburg, has more than 22,000 inhabitants and is described as a historically grown part of the city. This means that Theresia is not in an isolated location but anchored in a vibrant neighborhood. Those heading to the venue will therefore find not only a single building but an urban environment with residential buildings, infrastructure, and transport connections. For practical planning, it is advisable to enter the address along with the route in advance and to rely on public transport if one wants to arrive relaxed. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
Traveling by public transport is quite feasible. The RVV timetable for line 26 indicates the stop Theresienkirche; in the direction of Regensburg main station, it is located between Augsburger Straße and the Justice Building. This is a useful orientation for visitors, as the stop directly names the location, making it easier to find. Those coming from the city center or main station can navigate very well using this line. The fact that the stop appears in the official timetable is a good signal for local accessibility, especially for events in the evening or at times when one is reluctant to drive in the city. The city of Regensburg also operates a park-and-ride and park-and-ride system, which can alleviate the search for parking. This is relevant for St. Theresia, as the official website prominently mentions contact and address details but does not designate a separate visitor parking area. Therefore, the pragmatic recommendation is: If possible, travel by RVV; otherwise, check the Regensburg P+R options as an alternative. This way, the question of how to get to St. Theresia Regensburg becomes a realistically planable process instead of a spontaneous search for parking. ([rvv.de](https://www.rvv.de/linie-26-haltestellenfahrplan-07-02-10-07-2026))
Parking, Location, and Practical Planning
When it comes to parking, a sober view is best. The official pages of Theresia clearly state the address and contact options but do not highlight a separate guest parking area. This can be understood as a hint that arriving by bus or train is the most convenient solution for many visitors. For a cultural venue in a developed urban structure, this is not unusual. Therefore, those arriving by car should check not only the direct destination address but also the parking options in the vicinity. Regensburg offers city services such as park-and-ride and park-and-ride, which are specifically designed to reduce the search for parking in the city. This is often more pleasant for event evenings, as it means that one is no longer dependent on free street-side parking spaces for the last part of the journey. In practice, this means: For visitors with a fixed time window, public transport is often the less stressful choice, while drivers should factor in city parking options with some advance planning. This recommendation is especially important when the venue is well attended during larger cultural events. Since Theresia is a place with up to 400 people, the traffic situation around an event can change noticeably. Those who plan early have a clear advantage. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
The location itself also calls for careful planning. Kumpfmühl is a historically grown district of Regensburg with a clear urban structure, and St. Theresia is not located there as an isolated monument but as part of a vibrant neighborhood. This makes the journey charming but also somewhat less predictable than at a purely commercial location with a large parking lot right at the door. Therefore, those combining a visit with an appointment or event should calculate their arrival time with a bit of buffer, especially on evenings with high audience attendance. Since the venue is currently marketed as a cultural place through the official website, the focus is on encounter, program, and atmosphere, not on logistical large-area use. This is important for search queries like parking Regensburg or parking St. Theresia Regensburg: The best answer here is usually not a large parking lot directly at the entrance but a realistic mobility mix of public transport, urban parking options, and timely arrival. This makes the visit more pleasant, and the actual event takes center stage. Especially at a place that connects history and new use, a relaxed arrival is part of the overall experience. ([theresia-regensburg.de](https://theresia-regensburg.de/))
From Monastery Church to Cultural Venue: The History of St. Theresia
The historical depth of St. Theresia is one of the reasons why the place has such a strong impact. According to the House of Bavarian History, the foundation stone of a Kumpfmühl daughter monastery with a hall church was laid in 1899 under Prior Father Emmeram a Jesu. The plans were drawn up by the Regensburg architect Philipp Krämer. On August 27, 1900, the church was consecrated by Bishop Ignatius von Senestrey in honor of Saint Teresa of Avila. Thus, St. Theresia is not just any older building but a deliberately constructed ecclesiastical and monastic site with a clear spiritual and architectural identity. The background goes even further back, as the history of the Carmelite monastery in Regensburg began in the 18th century with a garden and a house with a chapel in the west of the city. For the Kumpfmühl region, the new church was an important step at the time, as it provided residents with a nearby house of worship for Sunday mass. The historical context explains why the term Theresienkirche is still so strongly associated with the location today. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or St. Theresia Kumpfmühl are thus also searching for a piece of city and order history. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
In the 20th century, the place continued to develop: In 1907, the two-story study house for religious priests opened; later, the seminary was expanded between 1922 and 1934 and eventually accommodated 60 students. Then came severe cuts. In April 1945, the entire complex was destroyed by a bomb hit. The reconstruction was difficult, but the monastery remained an important place for life in the district. In 1966, priest training was relocated to Würzburg, in 1975 the seminary was dissolved, and later the German Federal Post used the building as a training center. For the monastery church itself, the ecclesiastical chapter ended on July 31, 2024, with its deconsecration. In its current use, it has become a cultural space that takes on new tasks under the name "Theresia – Space for Ideas." This development is not an abrupt break but a continuous reinterpretation: From devotion came culture, from monastic use came public encounter, and from a threatened substance came a place with future perspective. This history makes the location particularly credible when it appears today as an event venue. Here, something new was not artificially created from scratch, but an existing, historically significant space was transferred into a new era. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
What impact does the venue have on visitors and organizers?
In the provided review data, St. Theresia scores 4.6 out of 5 stars based on 27 reviews. This aligns well with the impression conveyed by the official pages: a historic yet open place that does not greet its visitors with standard architecture but with character. This is particularly important for cultural and community events, as positive resonance often arises from the interplay of content, atmosphere, and organization. A place with history automatically generates expectations, and when these expectations are fulfilled by a coherent usage concept, a bond is created. At Theresia, it adds that the event space is not staged as a closed premium location but as a working and meeting space for culture. This makes it both appealing and realistic. Those planning an exhibition, a musical series, or a charity event usually seek exactly this mix: enough uniqueness to remain memorable and enough clarity to work professionally. The current communication surrounding Theresia shows that this balancing act seems to be successful. The combination of historical backdrop, gradual renovation, and open usage is positively received by initiators, associations, and cultural creators. This is precisely where the impact arises, which is also reflected in search queries related to reviews, experiences, and impressions. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
For organizers, the venue is particularly interesting because it has a strong profile-building effect. The space is not arbitrary but carries a history that one can feel. At the same time, it is large enough to accommodate relevant audience sizes and flexible enough to allow for various formats. The current concept explicitly places culture, encounter, and community at the center and refers to a lively use with exhibitions, concerts, readings, and charity events. For Regensburg, this is a gain, as the city thus has an additional cultural venue outside the classic old town axes. For visitors, this means: Engaging with St. Theresia means not only attending an event but experiencing a place with a second history. This is a central reason why the venue works so well for many people. It is beautiful but not polished. It is historic but not museum-like. It is open but not interchangeable. And that is precisely why it is worth thinking of St. Theresia Regensburg not just as an address but as a cultural environment that is just beginning to unfold. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
Sources:
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St. Theresia Regensburg | Events & Directions
St. Theresia in Regensburg is today much more than a historic church building: Under the name "Theresia – Space for Ideas," a cultural center has emerged in Kumpfmühl that combines the special atmosphere of a former monastery church with a contemporary event profile. Covering 340 square meters, the venue accommodates up to 400 people and caters to those seeking exhibitions, concerts, lectures, or other public formats in an unusual setting. The official website explicitly describes Theresia as a place for culture and community, while current reporting confirms the transformation from a house of worship to a vibrant cultural venue. This mix makes the location exciting: it is historically significant, visually striking, and simultaneously flexible in use. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or Theresia Space for Ideas will find a place that does not preserve the past but transforms it into a new usage concept. The result is a space with character, where cultural content not only takes place but is also supported by the building itself. ([theresia-regensburg.de](https://theresia-regensburg.de/))
What events shape Theresia today?
The current profile of Theresia is clearly culturally oriented. The official page lists exhibitions, concerts, lectures, and public events; in addition, there are collaborations with associations, artists, and formats that are deliberately open to the urban community. The event calendar shows that the venue does not limit itself to a single genre but allows for various usage scenarios: music evenings, artistic installations, readings, charity events, and social evenings fit equally into the concept. Thus, Theresia is not a classic multipurpose hall without character but a curated cultural space where the historical architecture enhances the impact of the program points. The official communication repeatedly emphasizes the connection between culture, encounter, and community. This is also important for search intent: Those searching for events Regensburg, concerts Regensburg, or exhibitions Regensburg expect not just dates but a place with recognition value. Theresia delivers exactly that, as the program does not appear anonymous but is embedded in an environment that is emotionally and aesthetically charged. For visitors, this creates an experience that goes beyond the actual event content. Especially in cultural formats, this context is often crucial, as atmosphere, spatial feeling, and audience experience interact. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Particularly noteworthy is that Theresia is understood not only as a stage but as an open meeting place. Current reporting describes the venue as a cultural space that is increasingly establishing itself and whose event calendar is noticeably filling up. Among other things, exhibitions, concerts, readings, and charity events are mentioned, which are precisely the formats that are in high demand in a vibrant city like Regensburg. For organizers, this is attractive because the venue provides a clear content direction without taking away creative freedom. According to the owner, associations and cultural creators can even use the space rent-free, aside from utility costs, which significantly lowers the threshold for new ideas. At the same time, this openness underscores that Theresia is intended as a platform and not just as a neutral rental space. Those planning events here benefit from an already visible brand core: Culture meets history. This is precisely why the venue is suitable for formats with emotional or social claims, such as charity evenings, art exhibitions, or musical series. For keyword logic, this means: Besides the main term St. Theresia Regensburg, cultural center Regensburg, charity events Regensburg, and lectures Regensburg are also meaningful, as they accurately reflect the actual use of the venue. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How large is St. Theresia and what equipment is important?
The most important hard number for marketing is the area: 340 square meters. Additionally, the official capacity is stated to be up to 400 people. This combination immediately clarifies where the strengths of the venue lie: It is large enough for a respectable audience but remains significantly more intimate than a classic exhibition or town hall. This is an advantage, especially for cultural events, as the space creates closeness without conveying tightness. The sides of Theresia describe the building as a historic place with a lot of atmosphere, and this historical quality is a decisive selection criterion for many users. Those seeking an extraordinary location for concerts, lectures, or exhibitions pay attention not only to pure usable space but also to light, spatial effect, and symbolic power. Theresia meets this requirement because it is a former monastery church that is now being reimagined. For SEO, the connection between capacity, cultural space, and historical ambiance is particularly valuable. Search terms like capacity, room size, event location, or cultural space are closely related to the actual profile. The official self-presentation also emphasizes that the range of possible uses is broad. This is important because the venue should not be reduced to a single type of event but rather has its flexibility as a strength. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Furthermore, the structural condition is actively being developed. A recent report states that the tower, roof, and facade have already been renovated, while inside, especially in terms of acoustics and sanitary facilities, there is still a need for development, and these points are currently being planned. For interested parties, this is an honest and important note: The venue is not marketed as a finished, standardized event machine but as a project with perspective that is being improved step by step. This can be particularly exciting for organizers as it opens up design spaces and does not dilute the identity of the venue. The owners describe the concept as an open experiment and consciously keep the space accessible for associations and cultural creators. This mix of historical substance, ongoing enhancement, and open usage concept is rare. Therefore, the description should not only be reduced to capacity but also to the quality of the offer: flexible, cultural, atmospheric, and in transition. Those searching for St. Theresia Regensburg are usually not looking for just any hall but a space with history. This is precisely why the details regarding size, occupancy, and renovation status are so relevant. ([immobilienzentrum.de](https://immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How do I get to St. Theresia Regensburg?
The address is clear and unambiguous: Kumpfmühler Straße 39, 93051 Regensburg. For direct contact, the official page also provides the phone number 0941 60407-0 and the email address info@theresia-regensburg.de. This is helpful for visitors as well as for event inquiries, as it allows for quick clarification of both organizational questions and specific date requests. From an SEO perspective, the exact address is important because many local search queries arise from very practical motives: Where is the venue, what is the address, and how do I get there best? At St. Theresia, the answer is pleasantly uncomplicated, as the location in Kumpfmühl is well integrated into the Regensburg urban area. Kumpfmühl belongs to the district of Kumpfmühl-Ziegetsdorf-Neuprüll, which, according to the city of Regensburg, has more than 22,000 inhabitants and is described as a historically grown part of the city. This means that Theresia is not in an isolated location but anchored in a vibrant neighborhood. Those heading to the venue will therefore find not only a single building but an urban environment with residential buildings, infrastructure, and transport connections. For practical planning, it is advisable to enter the address along with the route in advance and to rely on public transport if one wants to arrive relaxed. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
Traveling by public transport is quite feasible. The RVV timetable for line 26 indicates the stop Theresienkirche; in the direction of Regensburg main station, it is located between Augsburger Straße and the Justice Building. This is a useful orientation for visitors, as the stop directly names the location, making it easier to find. Those coming from the city center or main station can navigate very well using this line. The fact that the stop appears in the official timetable is a good signal for local accessibility, especially for events in the evening or at times when one is reluctant to drive in the city. The city of Regensburg also operates a park-and-ride and park-and-ride system, which can alleviate the search for parking. This is relevant for St. Theresia, as the official website prominently mentions contact and address details but does not designate a separate visitor parking area. Therefore, the pragmatic recommendation is: If possible, travel by RVV; otherwise, check the Regensburg P+R options as an alternative. This way, the question of how to get to St. Theresia Regensburg becomes a realistically planable process instead of a spontaneous search for parking. ([rvv.de](https://www.rvv.de/linie-26-haltestellenfahrplan-07-02-10-07-2026))
Parking, Location, and Practical Planning
When it comes to parking, a sober view is best. The official pages of Theresia clearly state the address and contact options but do not highlight a separate guest parking area. This can be understood as a hint that arriving by bus or train is the most convenient solution for many visitors. For a cultural venue in a developed urban structure, this is not unusual. Therefore, those arriving by car should check not only the direct destination address but also the parking options in the vicinity. Regensburg offers city services such as park-and-ride and park-and-ride, which are specifically designed to reduce the search for parking in the city. This is often more pleasant for event evenings, as it means that one is no longer dependent on free street-side parking spaces for the last part of the journey. In practice, this means: For visitors with a fixed time window, public transport is often the less stressful choice, while drivers should factor in city parking options with some advance planning. This recommendation is especially important when the venue is well attended during larger cultural events. Since Theresia is a place with up to 400 people, the traffic situation around an event can change noticeably. Those who plan early have a clear advantage. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
The location itself also calls for careful planning. Kumpfmühl is a historically grown district of Regensburg with a clear urban structure, and St. Theresia is not located there as an isolated monument but as part of a vibrant neighborhood. This makes the journey charming but also somewhat less predictable than at a purely commercial location with a large parking lot right at the door. Therefore, those combining a visit with an appointment or event should calculate their arrival time with a bit of buffer, especially on evenings with high audience attendance. Since the venue is currently marketed as a cultural place through the official website, the focus is on encounter, program, and atmosphere, not on logistical large-area use. This is important for search queries like parking Regensburg or parking St. Theresia Regensburg: The best answer here is usually not a large parking lot directly at the entrance but a realistic mobility mix of public transport, urban parking options, and timely arrival. This makes the visit more pleasant, and the actual event takes center stage. Especially at a place that connects history and new use, a relaxed arrival is part of the overall experience. ([theresia-regensburg.de](https://theresia-regensburg.de/))
From Monastery Church to Cultural Venue: The History of St. Theresia
The historical depth of St. Theresia is one of the reasons why the place has such a strong impact. According to the House of Bavarian History, the foundation stone of a Kumpfmühl daughter monastery with a hall church was laid in 1899 under Prior Father Emmeram a Jesu. The plans were drawn up by the Regensburg architect Philipp Krämer. On August 27, 1900, the church was consecrated by Bishop Ignatius von Senestrey in honor of Saint Teresa of Avila. Thus, St. Theresia is not just any older building but a deliberately constructed ecclesiastical and monastic site with a clear spiritual and architectural identity. The background goes even further back, as the history of the Carmelite monastery in Regensburg began in the 18th century with a garden and a house with a chapel in the west of the city. For the Kumpfmühl region, the new church was an important step at the time, as it provided residents with a nearby house of worship for Sunday mass. The historical context explains why the term Theresienkirche is still so strongly associated with the location today. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or St. Theresia Kumpfmühl are thus also searching for a piece of city and order history. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
In the 20th century, the place continued to develop: In 1907, the two-story study house for religious priests opened; later, the seminary was expanded between 1922 and 1934 and eventually accommodated 60 students. Then came severe cuts. In April 1945, the entire complex was destroyed by a bomb hit. The reconstruction was difficult, but the monastery remained an important place for life in the district. In 1966, priest training was relocated to Würzburg, in 1975 the seminary was dissolved, and later the German Federal Post used the building as a training center. For the monastery church itself, the ecclesiastical chapter ended on July 31, 2024, with its deconsecration. In its current use, it has become a cultural space that takes on new tasks under the name "Theresia – Space for Ideas." This development is not an abrupt break but a continuous reinterpretation: From devotion came culture, from monastic use came public encounter, and from a threatened substance came a place with future perspective. This history makes the location particularly credible when it appears today as an event venue. Here, something new was not artificially created from scratch, but an existing, historically significant space was transferred into a new era. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
What impact does the venue have on visitors and organizers?
In the provided review data, St. Theresia scores 4.6 out of 5 stars based on 27 reviews. This aligns well with the impression conveyed by the official pages: a historic yet open place that does not greet its visitors with standard architecture but with character. This is particularly important for cultural and community events, as positive resonance often arises from the interplay of content, atmosphere, and organization. A place with history automatically generates expectations, and when these expectations are fulfilled by a coherent usage concept, a bond is created. At Theresia, it adds that the event space is not staged as a closed premium location but as a working and meeting space for culture. This makes it both appealing and realistic. Those planning an exhibition, a musical series, or a charity event usually seek exactly this mix: enough uniqueness to remain memorable and enough clarity to work professionally. The current communication surrounding Theresia shows that this balancing act seems to be successful. The combination of historical backdrop, gradual renovation, and open usage is positively received by initiators, associations, and cultural creators. This is precisely where the impact arises, which is also reflected in search queries related to reviews, experiences, and impressions. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
For organizers, the venue is particularly interesting because it has a strong profile-building effect. The space is not arbitrary but carries a history that one can feel. At the same time, it is large enough to accommodate relevant audience sizes and flexible enough to allow for various formats. The current concept explicitly places culture, encounter, and community at the center and refers to a lively use with exhibitions, concerts, readings, and charity events. For Regensburg, this is a gain, as the city thus has an additional cultural venue outside the classic old town axes. For visitors, this means: Engaging with St. Theresia means not only attending an event but experiencing a place with a second history. This is a central reason why the venue works so well for many people. It is beautiful but not polished. It is historic but not museum-like. It is open but not interchangeable. And that is precisely why it is worth thinking of St. Theresia Regensburg not just as an address but as a cultural environment that is just beginning to unfold. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
Sources:
St. Theresia Regensburg | Events & Directions
St. Theresia in Regensburg is today much more than a historic church building: Under the name "Theresia – Space for Ideas," a cultural center has emerged in Kumpfmühl that combines the special atmosphere of a former monastery church with a contemporary event profile. Covering 340 square meters, the venue accommodates up to 400 people and caters to those seeking exhibitions, concerts, lectures, or other public formats in an unusual setting. The official website explicitly describes Theresia as a place for culture and community, while current reporting confirms the transformation from a house of worship to a vibrant cultural venue. This mix makes the location exciting: it is historically significant, visually striking, and simultaneously flexible in use. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or Theresia Space for Ideas will find a place that does not preserve the past but transforms it into a new usage concept. The result is a space with character, where cultural content not only takes place but is also supported by the building itself. ([theresia-regensburg.de](https://theresia-regensburg.de/))
What events shape Theresia today?
The current profile of Theresia is clearly culturally oriented. The official page lists exhibitions, concerts, lectures, and public events; in addition, there are collaborations with associations, artists, and formats that are deliberately open to the urban community. The event calendar shows that the venue does not limit itself to a single genre but allows for various usage scenarios: music evenings, artistic installations, readings, charity events, and social evenings fit equally into the concept. Thus, Theresia is not a classic multipurpose hall without character but a curated cultural space where the historical architecture enhances the impact of the program points. The official communication repeatedly emphasizes the connection between culture, encounter, and community. This is also important for search intent: Those searching for events Regensburg, concerts Regensburg, or exhibitions Regensburg expect not just dates but a place with recognition value. Theresia delivers exactly that, as the program does not appear anonymous but is embedded in an environment that is emotionally and aesthetically charged. For visitors, this creates an experience that goes beyond the actual event content. Especially in cultural formats, this context is often crucial, as atmosphere, spatial feeling, and audience experience interact. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Particularly noteworthy is that Theresia is understood not only as a stage but as an open meeting place. Current reporting describes the venue as a cultural space that is increasingly establishing itself and whose event calendar is noticeably filling up. Among other things, exhibitions, concerts, readings, and charity events are mentioned, which are precisely the formats that are in high demand in a vibrant city like Regensburg. For organizers, this is attractive because the venue provides a clear content direction without taking away creative freedom. According to the owner, associations and cultural creators can even use the space rent-free, aside from utility costs, which significantly lowers the threshold for new ideas. At the same time, this openness underscores that Theresia is intended as a platform and not just as a neutral rental space. Those planning events here benefit from an already visible brand core: Culture meets history. This is precisely why the venue is suitable for formats with emotional or social claims, such as charity evenings, art exhibitions, or musical series. For keyword logic, this means: Besides the main term St. Theresia Regensburg, cultural center Regensburg, charity events Regensburg, and lectures Regensburg are also meaningful, as they accurately reflect the actual use of the venue. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How large is St. Theresia and what equipment is important?
The most important hard number for marketing is the area: 340 square meters. Additionally, the official capacity is stated to be up to 400 people. This combination immediately clarifies where the strengths of the venue lie: It is large enough for a respectable audience but remains significantly more intimate than a classic exhibition or town hall. This is an advantage, especially for cultural events, as the space creates closeness without conveying tightness. The sides of Theresia describe the building as a historic place with a lot of atmosphere, and this historical quality is a decisive selection criterion for many users. Those seeking an extraordinary location for concerts, lectures, or exhibitions pay attention not only to pure usable space but also to light, spatial effect, and symbolic power. Theresia meets this requirement because it is a former monastery church that is now being reimagined. For SEO, the connection between capacity, cultural space, and historical ambiance is particularly valuable. Search terms like capacity, room size, event location, or cultural space are closely related to the actual profile. The official self-presentation also emphasizes that the range of possible uses is broad. This is important because the venue should not be reduced to a single type of event but rather has its flexibility as a strength. ([theresia-regensburg.de](https://theresia-regensburg.de/))
Furthermore, the structural condition is actively being developed. A recent report states that the tower, roof, and facade have already been renovated, while inside, especially in terms of acoustics and sanitary facilities, there is still a need for development, and these points are currently being planned. For interested parties, this is an honest and important note: The venue is not marketed as a finished, standardized event machine but as a project with perspective that is being improved step by step. This can be particularly exciting for organizers as it opens up design spaces and does not dilute the identity of the venue. The owners describe the concept as an open experiment and consciously keep the space accessible for associations and cultural creators. This mix of historical substance, ongoing enhancement, and open usage concept is rare. Therefore, the description should not only be reduced to capacity but also to the quality of the offer: flexible, cultural, atmospheric, and in transition. Those searching for St. Theresia Regensburg are usually not looking for just any hall but a space with history. This is precisely why the details regarding size, occupancy, and renovation status are so relevant. ([immobilienzentrum.de](https://immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
How do I get to St. Theresia Regensburg?
The address is clear and unambiguous: Kumpfmühler Straße 39, 93051 Regensburg. For direct contact, the official page also provides the phone number 0941 60407-0 and the email address info@theresia-regensburg.de. This is helpful for visitors as well as for event inquiries, as it allows for quick clarification of both organizational questions and specific date requests. From an SEO perspective, the exact address is important because many local search queries arise from very practical motives: Where is the venue, what is the address, and how do I get there best? At St. Theresia, the answer is pleasantly uncomplicated, as the location in Kumpfmühl is well integrated into the Regensburg urban area. Kumpfmühl belongs to the district of Kumpfmühl-Ziegetsdorf-Neuprüll, which, according to the city of Regensburg, has more than 22,000 inhabitants and is described as a historically grown part of the city. This means that Theresia is not in an isolated location but anchored in a vibrant neighborhood. Those heading to the venue will therefore find not only a single building but an urban environment with residential buildings, infrastructure, and transport connections. For practical planning, it is advisable to enter the address along with the route in advance and to rely on public transport if one wants to arrive relaxed. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
Traveling by public transport is quite feasible. The RVV timetable for line 26 indicates the stop Theresienkirche; in the direction of Regensburg main station, it is located between Augsburger Straße and the Justice Building. This is a useful orientation for visitors, as the stop directly names the location, making it easier to find. Those coming from the city center or main station can navigate very well using this line. The fact that the stop appears in the official timetable is a good signal for local accessibility, especially for events in the evening or at times when one is reluctant to drive in the city. The city of Regensburg also operates a park-and-ride and park-and-ride system, which can alleviate the search for parking. This is relevant for St. Theresia, as the official website prominently mentions contact and address details but does not designate a separate visitor parking area. Therefore, the pragmatic recommendation is: If possible, travel by RVV; otherwise, check the Regensburg P+R options as an alternative. This way, the question of how to get to St. Theresia Regensburg becomes a realistically planable process instead of a spontaneous search for parking. ([rvv.de](https://www.rvv.de/linie-26-haltestellenfahrplan-07-02-10-07-2026))
Parking, Location, and Practical Planning
When it comes to parking, a sober view is best. The official pages of Theresia clearly state the address and contact options but do not highlight a separate guest parking area. This can be understood as a hint that arriving by bus or train is the most convenient solution for many visitors. For a cultural venue in a developed urban structure, this is not unusual. Therefore, those arriving by car should check not only the direct destination address but also the parking options in the vicinity. Regensburg offers city services such as park-and-ride and park-and-ride, which are specifically designed to reduce the search for parking in the city. This is often more pleasant for event evenings, as it means that one is no longer dependent on free street-side parking spaces for the last part of the journey. In practice, this means: For visitors with a fixed time window, public transport is often the less stressful choice, while drivers should factor in city parking options with some advance planning. This recommendation is especially important when the venue is well attended during larger cultural events. Since Theresia is a place with up to 400 people, the traffic situation around an event can change noticeably. Those who plan early have a clear advantage. ([theresia-regensburg.de](https://theresia-regensburg.de/kontakt/))
The location itself also calls for careful planning. Kumpfmühl is a historically grown district of Regensburg with a clear urban structure, and St. Theresia is not located there as an isolated monument but as part of a vibrant neighborhood. This makes the journey charming but also somewhat less predictable than at a purely commercial location with a large parking lot right at the door. Therefore, those combining a visit with an appointment or event should calculate their arrival time with a bit of buffer, especially on evenings with high audience attendance. Since the venue is currently marketed as a cultural place through the official website, the focus is on encounter, program, and atmosphere, not on logistical large-area use. This is important for search queries like parking Regensburg or parking St. Theresia Regensburg: The best answer here is usually not a large parking lot directly at the entrance but a realistic mobility mix of public transport, urban parking options, and timely arrival. This makes the visit more pleasant, and the actual event takes center stage. Especially at a place that connects history and new use, a relaxed arrival is part of the overall experience. ([theresia-regensburg.de](https://theresia-regensburg.de/))
From Monastery Church to Cultural Venue: The History of St. Theresia
The historical depth of St. Theresia is one of the reasons why the place has such a strong impact. According to the House of Bavarian History, the foundation stone of a Kumpfmühl daughter monastery with a hall church was laid in 1899 under Prior Father Emmeram a Jesu. The plans were drawn up by the Regensburg architect Philipp Krämer. On August 27, 1900, the church was consecrated by Bishop Ignatius von Senestrey in honor of Saint Teresa of Avila. Thus, St. Theresia is not just any older building but a deliberately constructed ecclesiastical and monastic site with a clear spiritual and architectural identity. The background goes even further back, as the history of the Carmelite monastery in Regensburg began in the 18th century with a garden and a house with a chapel in the west of the city. For the Kumpfmühl region, the new church was an important step at the time, as it provided residents with a nearby house of worship for Sunday mass. The historical context explains why the term Theresienkirche is still so strongly associated with the location today. Those searching for St. Theresia Regensburg, Theresienkirche Regensburg, or St. Theresia Kumpfmühl are thus also searching for a piece of city and order history. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
In the 20th century, the place continued to develop: In 1907, the two-story study house for religious priests opened; later, the seminary was expanded between 1922 and 1934 and eventually accommodated 60 students. Then came severe cuts. In April 1945, the entire complex was destroyed by a bomb hit. The reconstruction was difficult, but the monastery remained an important place for life in the district. In 1966, priest training was relocated to Würzburg, in 1975 the seminary was dissolved, and later the German Federal Post used the building as a training center. For the monastery church itself, the ecclesiastical chapter ended on July 31, 2024, with its deconsecration. In its current use, it has become a cultural space that takes on new tasks under the name "Theresia – Space for Ideas." This development is not an abrupt break but a continuous reinterpretation: From devotion came culture, from monastic use came public encounter, and from a threatened substance came a place with future perspective. This history makes the location particularly credible when it appears today as an event venue. Here, something new was not artificially created from scratch, but an existing, historically significant space was transferred into a new era. ([hdbg.eu](https://hdbg.eu/kloster/index.php/detail/geschichte?id=KS0875))
What impact does the venue have on visitors and organizers?
In the provided review data, St. Theresia scores 4.6 out of 5 stars based on 27 reviews. This aligns well with the impression conveyed by the official pages: a historic yet open place that does not greet its visitors with standard architecture but with character. This is particularly important for cultural and community events, as positive resonance often arises from the interplay of content, atmosphere, and organization. A place with history automatically generates expectations, and when these expectations are fulfilled by a coherent usage concept, a bond is created. At Theresia, it adds that the event space is not staged as a closed premium location but as a working and meeting space for culture. This makes it both appealing and realistic. Those planning an exhibition, a musical series, or a charity event usually seek exactly this mix: enough uniqueness to remain memorable and enough clarity to work professionally. The current communication surrounding Theresia shows that this balancing act seems to be successful. The combination of historical backdrop, gradual renovation, and open usage is positively received by initiators, associations, and cultural creators. This is precisely where the impact arises, which is also reflected in search queries related to reviews, experiences, and impressions. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
For organizers, the venue is particularly interesting because it has a strong profile-building effect. The space is not arbitrary but carries a history that one can feel. At the same time, it is large enough to accommodate relevant audience sizes and flexible enough to allow for various formats. The current concept explicitly places culture, encounter, and community at the center and refers to a lively use with exhibitions, concerts, readings, and charity events. For Regensburg, this is a gain, as the city thus has an additional cultural venue outside the classic old town axes. For visitors, this means: Engaging with St. Theresia means not only attending an event but experiencing a place with a second history. This is a central reason why the venue works so well for many people. It is beautiful but not polished. It is historic but not museum-like. It is open but not interchangeable. And that is precisely why it is worth thinking of St. Theresia Regensburg not just as an address but as a cultural environment that is just beginning to unfold. ([immobilienzentrum.de](https://www.immobilienzentrum.de/aktuelles/theresia-als-kulturraum/))
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