Theater im Antoniushaus
(96 Reviews)

Mühlweg 13, Regensburg

Mühlweg 13, 93053 Regensburg, Germany

Theater im Antoniushaus | Events & Tickets

The Theater im Antoniushaus is one of the most exciting venues of the Theater Regensburg, as architecture, theater operation, and proximity to the city come together in an unusually harmonious way. Since February 2022, the Antoniushaus has been used as a second major venue; the renovated space with parquet and gallery accommodates up to 420 spectators and is only a few minutes away from the city center in the Kasernenviertel. For visitors, the house is therefore attractive for both a quick theater evening and a consciously planned cultural visit. Those looking for today's performances, upcoming events, tickets, or information about the seating area will not find themselves at an anonymous large stage, but at a place that allows closeness and is still professionally equipped. This is complemented by the facilities with gastronomy and a beer garden, making coming and going before and after the performance pleasant. The Antoniushaus is thus not only a venue but a visible extension of the Regensburg theater offerings.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Events, today's schedule, and upcoming premieres at the Antoniushaus

When users search for theater at the Antoniushaus today or for upcoming events, they usually mean one thing: Is there a performance today, is a premiere scheduled soon, and what type of format can I expect on site? This is exactly what makes the Antoniushaus particularly interesting, as the official theater page shows that the venue is regularly used for premieres, revivals, public rehearsals, matinees, introduction dates, and discussions. Current production pages feature DOLLHOUSE as a dance evening by Andrey Kaydanovskiy, Oliver! as a musical by Lionel Bart, and the premiere of PARZIVAL at the Antoniushaus. This clearly shows that the place is not limited to a single genre but can equally accommodate drama, musical theater, and dance. Those looking for a specific date should always check the official schedule, as the character of the house is dynamic and strongly dependent on the respective production calendar. This mix of changing programs and manageable auditorium size makes the house attractive for many visitors: One does not experience a distant mass event but a concrete production in a space designed for immediate impact.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/die-theater.html))

From an SEO perspective, the topic of events is also the most important keyword field because it meets the natural search intent of most interested parties. Those googling the theater in Antoniushaus in Regensburg usually want not only the address but also to know what is happening there, whether there are tickets available, and how to quickly access the current dates. The official site provides several signals: There are production pages with specific dates, references to introductions, and sometimes to discussions, as well as references to group orders. This is practical for visitors because a single venue results in a whole range of usage scenarios. Families, culture enthusiasts, school groups, and theater fans find different points of connection. The range is also evident in that the house not only hosts regular performances but also special formats and encounter formats. Especially at a location like the Antoniushaus, which is central enough for a city visit yet quiet enough for concentrated theater, the interplay of date, genre, and spatial effect plays a special role. Therefore, the current program should always be at the center of the content and SEO strategy.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/die-theater.html))

Directions, parking, and public transport to the Theater im Antoniushaus

For many inquiries regarding the Antoniushaus, directions and parking are almost as important as the program itself. The official visitor information makes it pleasantly concrete: The theater is located in the Kasernenviertel on the edge of the city center, and most venues of the Theater Regensburg are well connected to public transport. For the Antoniushaus, the stops Antoniuskirche with lines 3 and 18, Hermann-Geib-Straße and Safferlingstraße with lines 2, 9, X9, 23, 24, and 31, as well as Alfons-Auer-Straße with lines 3 and 7 are mentioned. From the main train station, the walk via the Arcaden exit takes about 10 to 15 minutes. Those arriving by bike will find parking spaces on both sides of the building. This information is particularly relevant for seekers as it provides quick orientation and lowers the barrier for attending the theater. Especially for evening performances, it is helpful to know that the house is neither hidden nor difficult to reach but has been pragmatically integrated into the city structure.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

There are also clear parking information that plays a central role in the search intent for parking spaces, parking, or directions. The two largest free parking lots are located at the Städtischen Berufsschule in Alfons-Auer-Straße and are only about 300 meters on foot from the Antoniushaus. Additionally, there are two disabled parking spaces in the theater's operating yard; access is via the rolling gate on Mühlweg, and registration with the box office is required at least one working day before the performance. This combination of free parking, short distance, and designated spaces for guests with mobility impairments makes the location very visitor-friendly. It is also positive that theater tickets or subscription cards allow free use of the RVV buses for arrival and departure. This is not only practical but also a real comfort factor for all those who want to forgo the car. Those traveling in Regensburg can reliably reach the Antoniushaus in several ways, making the location attractive for spontaneous visits.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Seating, auditorium, gallery, and atmosphere at the Antoniushaus

The Antoniushaus is described on the theater's website as a newly renovated theater space with parquet and gallery that can accommodate up to 420 spectators. This number is an important reference point for many users, as it reveals more than just the size of the auditorium: The house is large enough for a professional theater production but small enough to allow closeness and clear sightlines. Those looking for seating, auditorium plans, or the best seats should therefore understand the Antoniushaus as a classic mid-stage with an intimate effect. The spatial feeling differs significantly from a large multi-purpose hall because the focus is more on the direct perception of stage, text, music, and movement. Especially in drama and dance productions, such a space unfolds a special intensity. The official description as the second major venue of the Theater Regensburg emphasizes that there is no improvisation here but a conscious commitment to high-quality performance practice. For guests, this means good conditions for visibility, acoustics, and concentration on the stage action.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

The atmosphere is also enhanced by the fact that the house has its own gastronomy with an attached beer garden. The official venue page refers to Kneitinger in the Antoniushaus, making it clear that a character of stay is created before and after the performance that goes beyond the mere visit to the show. For many people, this is a plus: They arrive earlier, stay briefly after the performance, and combine the theater evening with a relaxed conclusion. Additionally, the location is chosen so that the house is close to the city but does not feel hectic. It is a place where the audience becomes attentive without being overwhelmed by the surroundings. This is important for SEO content because terms like auditorium, seats, best seats, or special atmosphere are often searched together. The Antoniushaus provides a factually reliable answer to all these search queries: a manageable, renovated space with a gallery, good infrastructure, and a framework that makes theater an experience and not just a ticket purchase.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Accessibility and comfortable visits at the Theater im Antoniushaus

A strong search signal for modern venues is the question of accessibility. The answer for the Antoniushaus is clear and well documented. The accessible entrance is via the main entrance Mühlweg 13, and a lift connection leads to the gallery in the stairwell. Additionally, there are two disabled parking spaces in the theater's operating yard; access is via the rolling gate Mühlweg, and registration must be made at least one working day before the performance at the box office. Furthermore, the theater mentions a wheelchair space in the parquet on the left in rows 2 and 3, each with an accompanying seat directly next to it. This means that the house is not only generally accessible but also concretely prepared for different needs. Those searching for accessible, wheelchair space, or disabled parking will thus receive not only general formulations but directly usable information at the Antoniushaus. For attending the theater, this is crucial because accessibility only convinces when it equally considers the way to the house, the stay in the building, and the actual visit to the performance.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/barrierefreiheit-2.html))

Additionally, there is an inductive hearing system that works on all seats in the auditorium in the parquet but not in the gallery. This is an important difference for hearing-impaired guests and should be transparently mentioned in every description. Equally important is the restroom with assistance for transfers in the cloakroom foyer on the ground floor. The general visitor page also emphasizes that all venues of the Theater Regensburg have accessible entrances and wheelchair spaces and that the Antoniushaus, Haidplatz, and the Young Theater have an inductive hearing system. This combination of technical and structural equipment shows that the house is not only architecturally interesting but also inclusively thought out in content. This is particularly valuable for seekers because terms like accessible, wheelchair space, or hearing system often mean concrete planning security. When a venue clearly and completely informs in this regard, the likelihood of a relaxed visit increases significantly.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/barrierefreiheit-2.html))

History, architecture, and special details of the Antoniushaus

The Antoniushaus is not only a theater address but also a building with history. The official theater page describes it as a deliberately asymmetrically designed reinforced concrete skeleton building constructed in 1953/54. Originally, the house served as a community center for the adjacent Catholic parish church of St. Anton. It has only been used for purposes of the city theater since 2022. This development is enormously valuable for the positioning of the place because it gives the building a double identity: It is, on the one hand, a piece of post-war architecture, and on the other hand, a vibrant part of today's theater operation. Such places often have a high attraction in the search context because visitors not only experience a performance but also take away a piece of city history. The historical background makes the Antoniushaus a location that clearly differs from purely functional cultural halls.([theaterregensburg.de](https://www.theaterregensburg.de/produktionen/index-34.html))

Among the special architectural features are the sacramental tiles on the east facade by Walter Zacharias, the large hall with its wave-shaped ceiling, and the original wall coverings with the long-overpainted and now visible mural by Josef Rüth. This mural references St. Anthony of Padua with a depiction of fish and birds. Such details show why the Antoniushaus is also interesting for people looking for photos, history, or special features. One does not discover a standardized stage house here, but a building with visible traces of its time of origin and carefully preserved elements that are now part of the theater experience. This makes the place exciting for tours, architecture enthusiasts, and culturally historically interested visitors. Those looking for a theater in Regensburg that has not only a program but also character will find a convincing example here. The official designation as a landmark of new beginnings fits very well because it understands the building not as a static monument but as a place of transition and cultural use.([theaterregensburg.de](https://www.theaterregensburg.de/produktionen/index-34.html))

Tickets, photos, reviews, and practical tips for visitors

When planning a theater visit, tickets and practical tips often play a larger role than one might initially think. The Theater Regensburg points out that for tickets purchased at the ticket phone, online shop, or through written advance orders, a pre-sale fee of 1.50 euros per ticket is charged; this fee is waived if purchased at the box office or at the evening box office. Additionally, a clear structure is offered for visiting the venues: There are public rehearsals, matinees, and introduction dates, and the theater ticket can be used in the RVV as a ticket. This facilitates arrival and makes the overall visit planable. For many seekers, such details are crucial because they make a location not only attractive but also appear uncomplicated. So, those searching for tickets, today, upcoming events, or directions receive not just an artistic name at the Antoniushaus but a well-organized visitor experience.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

The area of photos and reviews is also relevant for the perception of the house. The official pages show images and a map for directions to the Antoniushaus, allowing interested parties to get an impression of the venue in advance. The reviews you provided also paint a friendly picture of the place, mentioning a good atmosphere, good acoustics, and good sightlines. For an SEO description, this is valuable because it shows that the Antoniushaus not only works on paper but also convinces in everyday visits. At the same time, one should always consider the context in reviews: Individual voices are helpful, but the strongest reliable facts remain location, capacity, accessibility, and program. This is why the Antoniushaus is worth it as a content object: It combines hard location data with a culturally vibrant profile. Those attending an event here experience not only a performance but a place with history, infrastructure, and clear usability.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Sources:

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Theater im Antoniushaus | Events & Tickets

The Theater im Antoniushaus is one of the most exciting venues of the Theater Regensburg, as architecture, theater operation, and proximity to the city come together in an unusually harmonious way. Since February 2022, the Antoniushaus has been used as a second major venue; the renovated space with parquet and gallery accommodates up to 420 spectators and is only a few minutes away from the city center in the Kasernenviertel. For visitors, the house is therefore attractive for both a quick theater evening and a consciously planned cultural visit. Those looking for today's performances, upcoming events, tickets, or information about the seating area will not find themselves at an anonymous large stage, but at a place that allows closeness and is still professionally equipped. This is complemented by the facilities with gastronomy and a beer garden, making coming and going before and after the performance pleasant. The Antoniushaus is thus not only a venue but a visible extension of the Regensburg theater offerings.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Events, today's schedule, and upcoming premieres at the Antoniushaus

When users search for theater at the Antoniushaus today or for upcoming events, they usually mean one thing: Is there a performance today, is a premiere scheduled soon, and what type of format can I expect on site? This is exactly what makes the Antoniushaus particularly interesting, as the official theater page shows that the venue is regularly used for premieres, revivals, public rehearsals, matinees, introduction dates, and discussions. Current production pages feature DOLLHOUSE as a dance evening by Andrey Kaydanovskiy, Oliver! as a musical by Lionel Bart, and the premiere of PARZIVAL at the Antoniushaus. This clearly shows that the place is not limited to a single genre but can equally accommodate drama, musical theater, and dance. Those looking for a specific date should always check the official schedule, as the character of the house is dynamic and strongly dependent on the respective production calendar. This mix of changing programs and manageable auditorium size makes the house attractive for many visitors: One does not experience a distant mass event but a concrete production in a space designed for immediate impact.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/die-theater.html))

From an SEO perspective, the topic of events is also the most important keyword field because it meets the natural search intent of most interested parties. Those googling the theater in Antoniushaus in Regensburg usually want not only the address but also to know what is happening there, whether there are tickets available, and how to quickly access the current dates. The official site provides several signals: There are production pages with specific dates, references to introductions, and sometimes to discussions, as well as references to group orders. This is practical for visitors because a single venue results in a whole range of usage scenarios. Families, culture enthusiasts, school groups, and theater fans find different points of connection. The range is also evident in that the house not only hosts regular performances but also special formats and encounter formats. Especially at a location like the Antoniushaus, which is central enough for a city visit yet quiet enough for concentrated theater, the interplay of date, genre, and spatial effect plays a special role. Therefore, the current program should always be at the center of the content and SEO strategy.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/die-theater.html))

Directions, parking, and public transport to the Theater im Antoniushaus

For many inquiries regarding the Antoniushaus, directions and parking are almost as important as the program itself. The official visitor information makes it pleasantly concrete: The theater is located in the Kasernenviertel on the edge of the city center, and most venues of the Theater Regensburg are well connected to public transport. For the Antoniushaus, the stops Antoniuskirche with lines 3 and 18, Hermann-Geib-Straße and Safferlingstraße with lines 2, 9, X9, 23, 24, and 31, as well as Alfons-Auer-Straße with lines 3 and 7 are mentioned. From the main train station, the walk via the Arcaden exit takes about 10 to 15 minutes. Those arriving by bike will find parking spaces on both sides of the building. This information is particularly relevant for seekers as it provides quick orientation and lowers the barrier for attending the theater. Especially for evening performances, it is helpful to know that the house is neither hidden nor difficult to reach but has been pragmatically integrated into the city structure.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

There are also clear parking information that plays a central role in the search intent for parking spaces, parking, or directions. The two largest free parking lots are located at the Städtischen Berufsschule in Alfons-Auer-Straße and are only about 300 meters on foot from the Antoniushaus. Additionally, there are two disabled parking spaces in the theater's operating yard; access is via the rolling gate on Mühlweg, and registration with the box office is required at least one working day before the performance. This combination of free parking, short distance, and designated spaces for guests with mobility impairments makes the location very visitor-friendly. It is also positive that theater tickets or subscription cards allow free use of the RVV buses for arrival and departure. This is not only practical but also a real comfort factor for all those who want to forgo the car. Those traveling in Regensburg can reliably reach the Antoniushaus in several ways, making the location attractive for spontaneous visits.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Seating, auditorium, gallery, and atmosphere at the Antoniushaus

The Antoniushaus is described on the theater's website as a newly renovated theater space with parquet and gallery that can accommodate up to 420 spectators. This number is an important reference point for many users, as it reveals more than just the size of the auditorium: The house is large enough for a professional theater production but small enough to allow closeness and clear sightlines. Those looking for seating, auditorium plans, or the best seats should therefore understand the Antoniushaus as a classic mid-stage with an intimate effect. The spatial feeling differs significantly from a large multi-purpose hall because the focus is more on the direct perception of stage, text, music, and movement. Especially in drama and dance productions, such a space unfolds a special intensity. The official description as the second major venue of the Theater Regensburg emphasizes that there is no improvisation here but a conscious commitment to high-quality performance practice. For guests, this means good conditions for visibility, acoustics, and concentration on the stage action.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

The atmosphere is also enhanced by the fact that the house has its own gastronomy with an attached beer garden. The official venue page refers to Kneitinger in the Antoniushaus, making it clear that a character of stay is created before and after the performance that goes beyond the mere visit to the show. For many people, this is a plus: They arrive earlier, stay briefly after the performance, and combine the theater evening with a relaxed conclusion. Additionally, the location is chosen so that the house is close to the city but does not feel hectic. It is a place where the audience becomes attentive without being overwhelmed by the surroundings. This is important for SEO content because terms like auditorium, seats, best seats, or special atmosphere are often searched together. The Antoniushaus provides a factually reliable answer to all these search queries: a manageable, renovated space with a gallery, good infrastructure, and a framework that makes theater an experience and not just a ticket purchase.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Accessibility and comfortable visits at the Theater im Antoniushaus

A strong search signal for modern venues is the question of accessibility. The answer for the Antoniushaus is clear and well documented. The accessible entrance is via the main entrance Mühlweg 13, and a lift connection leads to the gallery in the stairwell. Additionally, there are two disabled parking spaces in the theater's operating yard; access is via the rolling gate Mühlweg, and registration must be made at least one working day before the performance at the box office. Furthermore, the theater mentions a wheelchair space in the parquet on the left in rows 2 and 3, each with an accompanying seat directly next to it. This means that the house is not only generally accessible but also concretely prepared for different needs. Those searching for accessible, wheelchair space, or disabled parking will thus receive not only general formulations but directly usable information at the Antoniushaus. For attending the theater, this is crucial because accessibility only convinces when it equally considers the way to the house, the stay in the building, and the actual visit to the performance.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/barrierefreiheit-2.html))

Additionally, there is an inductive hearing system that works on all seats in the auditorium in the parquet but not in the gallery. This is an important difference for hearing-impaired guests and should be transparently mentioned in every description. Equally important is the restroom with assistance for transfers in the cloakroom foyer on the ground floor. The general visitor page also emphasizes that all venues of the Theater Regensburg have accessible entrances and wheelchair spaces and that the Antoniushaus, Haidplatz, and the Young Theater have an inductive hearing system. This combination of technical and structural equipment shows that the house is not only architecturally interesting but also inclusively thought out in content. This is particularly valuable for seekers because terms like accessible, wheelchair space, or hearing system often mean concrete planning security. When a venue clearly and completely informs in this regard, the likelihood of a relaxed visit increases significantly.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/barrierefreiheit-2.html))

History, architecture, and special details of the Antoniushaus

The Antoniushaus is not only a theater address but also a building with history. The official theater page describes it as a deliberately asymmetrically designed reinforced concrete skeleton building constructed in 1953/54. Originally, the house served as a community center for the adjacent Catholic parish church of St. Anton. It has only been used for purposes of the city theater since 2022. This development is enormously valuable for the positioning of the place because it gives the building a double identity: It is, on the one hand, a piece of post-war architecture, and on the other hand, a vibrant part of today's theater operation. Such places often have a high attraction in the search context because visitors not only experience a performance but also take away a piece of city history. The historical background makes the Antoniushaus a location that clearly differs from purely functional cultural halls.([theaterregensburg.de](https://www.theaterregensburg.de/produktionen/index-34.html))

Among the special architectural features are the sacramental tiles on the east facade by Walter Zacharias, the large hall with its wave-shaped ceiling, and the original wall coverings with the long-overpainted and now visible mural by Josef Rüth. This mural references St. Anthony of Padua with a depiction of fish and birds. Such details show why the Antoniushaus is also interesting for people looking for photos, history, or special features. One does not discover a standardized stage house here, but a building with visible traces of its time of origin and carefully preserved elements that are now part of the theater experience. This makes the place exciting for tours, architecture enthusiasts, and culturally historically interested visitors. Those looking for a theater in Regensburg that has not only a program but also character will find a convincing example here. The official designation as a landmark of new beginnings fits very well because it understands the building not as a static monument but as a place of transition and cultural use.([theaterregensburg.de](https://www.theaterregensburg.de/produktionen/index-34.html))

Tickets, photos, reviews, and practical tips for visitors

When planning a theater visit, tickets and practical tips often play a larger role than one might initially think. The Theater Regensburg points out that for tickets purchased at the ticket phone, online shop, or through written advance orders, a pre-sale fee of 1.50 euros per ticket is charged; this fee is waived if purchased at the box office or at the evening box office. Additionally, a clear structure is offered for visiting the venues: There are public rehearsals, matinees, and introduction dates, and the theater ticket can be used in the RVV as a ticket. This facilitates arrival and makes the overall visit planable. For many seekers, such details are crucial because they make a location not only attractive but also appear uncomplicated. So, those searching for tickets, today, upcoming events, or directions receive not just an artistic name at the Antoniushaus but a well-organized visitor experience.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

The area of photos and reviews is also relevant for the perception of the house. The official pages show images and a map for directions to the Antoniushaus, allowing interested parties to get an impression of the venue in advance. The reviews you provided also paint a friendly picture of the place, mentioning a good atmosphere, good acoustics, and good sightlines. For an SEO description, this is valuable because it shows that the Antoniushaus not only works on paper but also convinces in everyday visits. At the same time, one should always consider the context in reviews: Individual voices are helpful, but the strongest reliable facts remain location, capacity, accessibility, and program. This is why the Antoniushaus is worth it as a content object: It combines hard location data with a culturally vibrant profile. Those attending an event here experience not only a performance but a place with history, infrastructure, and clear usability.([theaterregensburg.de](https://www.theaterregensburg.de/seiten/spielorte.html))

Sources:

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Reviews

BD

Brendoom Dongmo-Tsapgo

19. June 2024

It is a good place to be in Regensburg :)

KY

Kyamil Yakubov

31. October 2022

Super

GS

Günter Schopf

8. November 2025

Previously Kneitinger. The beer was good but tiring. The event was very good with excellent performers. The theater had good acoustics and sightlines.

JS

Johann Schachtl

8. March 2026

That performance was really beautiful.

SZ

Sabrina Zimmerer

18. March 2023

The play was very nice. I wouldn't buy the seats in the gallery, rows 10 to 14, again. In seat 13, I had a black bar in front of me, and it was constantly in my field of vision. (The photo is from seat 14.) It was especially difficult for the children, even in the back rows, despite the booster seats. That's why they were jumping around. The air conditioning was okay, but could perhaps be improved. Big praise to all the actors 💕 they definitely deserve 5 stars and more 😊