When can the exhibition One door opens be seen?

The exhibition can be seen from November 5, 2026, to January 5, 2027, at Schaulager Erdel in Regensburg.

When is the opening taking place?

The opening will take place on Thursday, November 5, 2026, at 7 PM. Jasmin Schmidt will be present.

What are the opening hours?

Schaulager Erdel is open on Wednesdays, Thursdays, and Fridays from 11 AM to 5 PM, and Saturdays from 11 AM to 3 PM. Additional visits are possible by appointment.

What is the admission fee?

Admission to the exhibition is free.

Where is the exhibition taking place?

The exhibition takes place at Schaulager Erdel, Am Schallern 4, 93047 Regensburg.

What materials does Jasmin Schmidt use?

Jasmin Schmidt works with, among others, sewn linen or loden, yarn, ink, casein paint, half chalk ground, and pigments.

Jasmin Schmidt opens new realms of perception at Schaulager Erdel

Name: Jasmin Schmidt: One door opens
Start: 2026-11-05T19:00:00+01:00
End: 2027-01-05T17:00:00+01:00
Location: Schaulager Erdel

Jasmin Schmidt opens new realms of perception

With One door opens, the Schaulager Erdel in Regensburg presents the first solo exhibition of Jasmin Schmidt in her hometown from November 5, 2026, to January 5, 2027. The artist will be present at the opening on Thursday, November 5, at 7 PM. Works from the past five years will be shown, where painting, materiality, and spatial order enter into a sensitive dialogue.

When the support becomes the image corpus

Jasmin Schmidt does not develop her painting solely on the canvas. The artistic process begins with the selection and treatment of the support. Sewn linen or loden from regional weavers forms the material basis of her works. Weaving defects, test markings, and processing traces remain visible and become independent elements of the composition.

The fabric creates an immediate tactile quality. Yarn, ink, casein paint, and pigments combine into image surfaces where textile structure and painterly gesture overlap. The aesthetic experience arises from the interplay of proximity and distance: On one hand, the surface draws the gaze toward its fibers and seams, on the other hand, it opens the picture space for complex visual orders.

Geometry, Floral, and the Pleasure of Breaking Order

Schmidt works with architectural, geometric, and floral overlays. Existing systems of order are disassembled, shifted, and reassembled. This leads to shifts in meaning and independent laws that mediate between construction and intuition.

The exhibition invites a concentrated viewing of the works. Lines, textile densifications, and color layering guide the gaze through finely tuned image spaces. The art experience resembles a journey of perception: The longer the observation lasts, the more clearly the material and temporal traces of the works emerge.

Art Historical Context and Artistic Biography

Jasmin Schmidt, born in 1981 in Regensburg, initially studied culture and society of Africa at the University of Bayreuth and subsequently free painting at the Academy of Fine Arts in Nuremberg with Prof. Thomas Hartmann, whose master student she became in 2013. Her artistic practice combines aspects of contemporary painting with a material-aware, process-oriented understanding of images.

Schmidt has received several awards, including the Bavarian Art Promotion Prize for Visual Arts, the Culture Prize Bavaria, the Culture Prize of the City of Nuremberg, and in 2025 the Wolfram von Eschenbach Promotion Prize. Her works are part of the collection of the Neues Museum Nuremberg and have been exhibited in solo and group exhibitions in Berlin, Leipzig, Munich, and Miami.

Exhibition Atmosphere at Schaulager Erdel

The Schaulager of Galerie Erdel creates a focused environment for these quiet, yet precisely composed works. The exhibition focuses on the connection between material, history, and painterly transformation. Cultural education does not arise here through didactic overload, but through the precise encounter with surface, structure, color, and space.

Visitors experience an exhibition that expands familiar notions of painting. Fabric becomes image substance, trace becomes composition, and order appears as something fluid. The works open up a sensory access to questions of temporality, origin, and perception.

Conclusion: An Exhibition for Refined Perception

One door opens promises an intense art experience between painting, material art, and poetic abstraction. Those who wish to experience the effect of materiality, color, and finely shifted orders firsthand should visit the exhibition at Schaulager Erdel live. The doors open to an aesthetic experience that permanently alters the gaze.