Experience Ukrainian Folk Art Full of Fantasy by Maria Prymatschenko in Regensburg


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Maria Prymatschenko: A Ukrainian Imagery Between Folk Art and Fantasy
On September 26, 2026, Irina Huber will focus on the Ukrainian folk artist Maria Prymatschenko at the Theresia cultural center in Regensburg. The lecture provides an art-historical approach to an extraordinary imagery where fantastic animals, bright flowers, mythical signs, and narratives from Ukrainian folk culture merge into vibrant compositions.
Naive Art with Great Symbolic Power
Maria Prymatschenko is considered a significant representative of Ukrainian naive art and folk decorative painting. Her painting combines folkloric traditions, nature observation, legends, and a pronounced imaginative power. Characteristic features include clear contours, vibrant color fields, and whimsical mythical creatures that shift between fairy-tale figures, natural phenomena, and symbolic forms.
Biography of an Independent Artist
Maria Prymatschenko was born in 1908, or according to today's Ukrainian dating, on January 12, 1909, in the village of Bolotnja near Kyiv and died in 1997 at her birthplace. Her talent was recognized as early as the 1930s; in 1936, she worked in the experimental workshops at the Kyiv Museum of Ukrainian Art. There, she expanded her artistic spectrum from drawing and painting to embroidery and ceramics.
Colors, Mythical Creatures, and Cultural Memory
In Prymatschenko's work, flowers, birds, and animals do not appear as realistic depictions but as carriers of emotions, memories, and cultural significance. Her compositions unfold a strong ornamental rhythm. Especially the intense red, blue, green, yellow, and pink tones give the images an almost internally glowing spatial effect. Observing her works leads to an aesthetic experience that combines childlike immediacy with philosophical depth.
Art-Historical Significance and International Recognition
Prymatschenko's works have been exhibited internationally, including in Paris, Warsaw, Sofia, Montreal, and Prague. In 1937, she received a gold medal at an international exhibition in Paris. In 1966, she was awarded the Taras Shevchenko Prize for the cycle People for Joy. Her extensive oeuvre includes painting, graphic sheets, decorative ceramics, and textile works. Today, the artist is considered one of the most important voices in Ukrainian folk and naive art.
A Lecture as Cultural Education
Irina Huber provides access to an artist whose visual language goes far beyond a mere classification as folk art. The event connects biography, art movement, motif history, and cultural context. The focus is on how personal memory, Ukrainian tradition, and universal fantasy meet in a distinctive formal language.
Conclusion: An Invitation to an Intensive Observation of Works
The lecture offers art enthusiasts a concentrated art experience centered around one of the most unique artists of Ukrainian modernity. Those interested in painting, naive art, folk art, symbolism, and cultural identity will experience an inspiring introduction to Maria Prymatschenko's colorful imagery. The event at the Theresia cultural center invites participants to rediscover art as a living cultural memory and a source of aesthetic experience.
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